Press for this production

an intricate and inspiring production…Thoughtful, clever and beautiful – a scintillating return to live theatre from Arrows & Traps ★★★★★ Fairy Powered Productions

Wynn-Davies’ performance is energetic, dynamic, forceful and totally engaging throughout… A crucial element of this five-star production is the beautiful performance by Laurel Marks as Cecilia Payne. Marks is totally convincing and the mutual understanding that develops between Holst and Payne is the thread that holds the play together… The supporting cast are all excellent. It is a coherent piece of writing, passionately performed and totally convincing in its argument. ★★★★★ Spy in the Stalls

With the same intricacy as Holst, writer and director Ross McGregor has fantastically composed this performance, weaving his way through the life and struggles of Holst from childhood to his infamous The Planets Suite work. McGregor uses a mix of multimedia, abstract choreography, and a splendid cast to run through the timeline in depth, which works perfectly to tell a fascinating tale. By using a creative translucent background screen to show flashbacks into the past, alongside projected time and location stamps, it’s a really easy way to depict the differing timelines, and yet another way of McGregor’s orchestrated brilliance. ★★★★ The Reviews Hub

McGregor illuminates Holst’s struggle to pursue his almighty artistic vision… Toby Wynn-Davies is superb as Holst… Laurel Marks pairs beautifully with him as Payne, quietly blossoming under his tutelage and rightly frustrated at the limitations society places on her as a young woman. The surrounding ensemble multi-role most effectively There Ought to be Clowns

The Music in the Spheres has, as one expects from McGregor, who also directs, moments of marvellous visual inspiration and he and the six strong cast create a world it filled with crowds of people and striking imagery. It also has a very powerful performance by Toby Wynn-Davis as Holst at its heart… McGregor’s play is a splendid affair ★★★★ ReviewsGate

Toby Wynn-Davies gives a fine performance as the gentle Holst compelled to compose in his own style whilst carrying the musical legacy of his forefathers, and Laurel Marks’s performance as Cecilia Payne is thoughtful and nuanced, growing from sad, contrary adolescent to reflective young woman, moulded by Holst’s mentoring. The relationship between Wynn-Davies’s Holst and Marks’s Payne rings true; they are a constellation of two presenting the pattern of two minds meeting, something well worth seeing. British Theatre Guide