Press for Hand-Me-Downs

‘Brown’s gentle comedy about two siblings navigating life’s curveballs together is a beautifully constructed glance at the matrix of variables that connect the pair and those that set them apart from each other… The funny and at points touching narrative is directed with clarity by Toby Bruton. It is well paced not overplaying comedy elements or tension but making the most of the contrasts in tone.

Fraser Houston is a warmly tender George, the conflict between doing what is expected and standing his ground a palpable discomfort. Writer Eliza Brown plays Harriet with assurance in a performance marked by committed facial expressions and youthful energy.

Anyone who is a sibling or a parent of siblings will find points of resonance in their playing out of this story; they may not always be comfortable moments, but they will be entertaining. Highly recommended.’  British Theatre Guide

‘Anyone who has had a sibling relationship could recognise themselves in this pithy depiction of a fraught brother-sister relationship…  the play fairly crackles along, galvanised by robust performances of the two protagonists… for a good bit of comedy from Puzzled Monkey Theatre, it is a fun night out. A deft two-hander with some cracking dialogue’ Plays To See

‘Toby Bruton directs skilfully as the two-hander plays out in Molly Payne’s one room set. The siblings’ navigation of rebuilding their relationship, and Harriet’s grief is written with wit and warmth by Eliza Brown.

Brown plays Harriet endearingly as an eternal teenager with crossed arms, raised eyebrows until real emotions and steeliness are shown as survival instinct kicks in. Houston… as George,  every emotion he represses is expertly writ large in his face and body language… The actors have believable sibling chemistry and the cosy, quieter moments of the play build investment in the clashes between the pair… a play with exciting potential.’ Fairy Powered Productions

‘a coming-of-age story about dealing with loss and bereavement whilst the world carries on regardless… An intriguing show with potential, there are some astute observations about life – and death – to think about.’ London Theatre1